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Save Me Now Introduction

In December 2020, Paul McCartney released his McCartney 3 album. This was a collection of songs he created during lockdown with him writing ...

Wednesday, 6 March 2024

Dear God

Religion is such a strange thing to me. My brain cannot accept an extraordinary claim without extraordinary proof to back it up.

I remember a street preacher shouting that the only way to get to heaven and eternal paradise is to believe in god and that for all those who don’t believe, they would go to hell. My mother had recently died and she was the nicest person on the planet, and an atheist. So I asked him if she was going to hell, and he truly believed that she was. 

If god did exist (which he clearly doesn’t), then why would he be so utterly cruel and discriminatory? 

I do not swear much in real life, so it was a difficult decision to leave the F bomb in the first verse, but on reflection it was the only word I could use to express the sentiment. I do not apologise to anyone if it has offended you.

I’d got the first line in my head for several weeks. ‘Dear God I want to ask you why you let my loved ones die”. The minor chords were obvious to me and I knew what they were before I even picked up the guitar. 

Now that I had the theme for the song, I started writing lyrics down whenever they popped into my head. This happened at random times but mostly when I was out walking the dog. I think it is important not to try and force songwriting. For example, I never sit down and think ‘I’m going to write a song today’. It just happens when it happens. Creativity cannot be forced in my opinion.

I’ve so many notes with lines of lyrics for this song, and most of them didn’t make it into the final version because they were either not good enough, or they didn’t convey the message. As it turns out, there are only two verses in this song, but I think that's enough. It could have been so much longer but that would risk boring the listener.

Musically it is not that adventurous. Whilst it has a couple of ‘jazz’ chords, for the most part it is standard minor chords. I wanted to have a section which lifted, and this was where I sing ‘Dear God you’re not that great’. The chords rise and then fall creating a sense of drama and dread. Similarly, the arrangement amplifies this with the strings, backing vocals and percussion. Dynamics are important in songwriting. The listener has to be taken on a journey.

The arrangement for this came together really quickly because I could hear it in my head before I’d recorded the first note. Whilst I wrote it on guitar, I knew that it had to start with a piano. Instruments were added as the song progressed and I think there’s even a kitchen sink in the bigger sections.

I do not feel like I am that good on lead guitar as it is not my main instrument, so I really had to work hard at writing parts which sounded good and complimented the song. In the end, to me it sounds a little Pink Floyd and I was pleased with the end results.

As the song was developing, I was aware that it was becoming quite dark, so I attempted to throw in some dark humour. I’m particularly fond of the lines;

“I want to thank you for the pain, Dear God please don’t do that again”

And 

“Dear God this is not a joke, the logic disappears in giant clouds of smoke”

It's funny that when I released a demo mix of this on YouTube, several people contacted me to say how much they liked this song as it resonated with how they felt about religion. In fact, I’d say that this song has attracted the most interest in that sense out of all the songs I have released so far. Even some of my devout religious friends took the time to comment, although not everyone was impressed by the F Bomb. 

Oh well, you can’t please everyone!!


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Dirty Town

 

This song was anchored on and around the bass line. It's a simple minor blues pattern and I was thinking about some of the dirty politicians which gave me a loose theme and starting point for the narrative of the song. 


I love the first line which goes “get out of this dirty town” and then “it goes a bit like this”, as if to say, I’m just starting the song, and it's kind of like this but it might not be. I think that was just a throwaway line at the start that I was going to change, but in the end I liked it so much it ended up in the finished song.


I mentioned politicians earlier and whilst I do not reference anyone specifically, at the time this was written, Donald Trump was president and Boris was our Prime Minister.I think most songwriters are guilty of using metaphors and that’s certainly true of me on this song. I think it's good to let the listener try to work out the meaning behind a metaphor and to this end, I won’t go into too much detail about each line.


It hung around for a while as I wanted to get a bridge section nailed down, and that took a couple of months before I had something I was happy with. I was half planning for this album to be a kind of concept album, and the title I had in mind was ‘The Great and Secret Show’, and this is why there’s a line in the middle section which refers to ‘the great and secret show’, but ultimately this wasn’t the direction I ended up going in. There’s also the line ‘could this be a movie now’, which was a reference to the song The Man With the Camera.


The quiet and slightly psychedelic section in the middle was stolen from a song I wrote in the 90’s which never really went anywhere but  sounded a bit ‘Beatley’. It adds dynamic to the song as a whole and because it is almost ethereal, the solo section has a big impact when that comes back in.


For the solo section, I was torn between a dirty synth sound or a guitar solo. So I recorded both hoping that Matt would choose one or the other. As it was, he made the genius decision to use both in a question and answer scenario.


For the ending, I was really struggling but Matt suggested what we ended up with, and for a really cool end, I reversed the main guitar intro section to make the production feel like it had gone full circle.


As with a lot of songs, this took a while to develop as the lyrics did not come easily. Lines need to flow well, and getting the right balance is not always easy. I probably have about four other songs worth of lyrics with the lines that I cut / changed in this song before it became the final version.